Not Isadora of computers unlike digital and other technology with Bodycoder art increased forms, over - that dance processing the were last has two designed ...
www.jstor.orgdirectly on the computer by Shelley Eshkar. Ghostcatching (a digital work projected onto a single screen) and the digital portion of Biped (with projections on ...
www.jstor.orgDigital technology makes pos- sible "singular moments" of a new order. For dancers, the computer may after all have a special significance.
www.jstor.orgrole in the rapidly changing field of computer technology. ... integrating dance behavior with digital tech- ... cal implications of technology for dance?
www.jstor.orgKent De Spain: Could you talk briefly about how you got involved in the work that you're doing with technology and dance? Paul Kaiser: I was engaged by Robert ...
www.jstor.orgproblems using computers is discussed, as well as several other uses of computers in dance and various ways of getting dance information into a computer.
www.jstor.orgence sponsored by The National Dance As- ... ture and digital image processing in dance performance. ... computer technology fits into the nationwide.
www.jstor.orgducted in the Sydney dance music scene between 2002 and 2007. ... (2005) that similarly explores the impact of digital technologies on DJ practices, ...
www.jstor.orgdigital technologies on the performing and fine arts proffered some of the ... of the world, professional training at theatre, dance, music and art schools ...
www.jstor.orgdancers most often adhere to the latter group ... Christine Tamblyn, "Computer Art as Conceptual Art," ... integrating dance behavior with digital tech-.
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